Entrepreneurs, bear with me for a moment.
When I was nine years old, I had the honor of playing in a Guns N’ Roses air tribute band. With my Wilson tennis racquet doubling as an ES-175 Gibson guitar, I would transform into the unconquerable Izzy Stradlin as my brother and friends took on the personas of singer Axl Rose, lead guitarist Slash, and bassist Duff McKagan. 1
With the aid of a few bad wigs, a boom box, and trampolines, we would turn our basement into a raging mosh pit, treating our imaginary but adoring fans to “Don’t Cry,” “Live and Let Die,” and all of the legendary songs that made Guns N’ Roses—well—Guns N’ Roses.
Now we absolutely sucked as a tribute band, which is downright shameful given that we played imaginary instruments. But based upon the work of author Chuck Klosterman, it is clear that many tribute bands are extremely successful in building a loyal fan base—so successful, in fact, that I see 4 valuable lessons that entrepreneurs can take away. 2
Lesson #1: Tribute bands sell an EXPERIENCE with an established record of success – Too many entrepreneurs are obsessed with innovation, even when there is no market for what they’re doing. Consumers don’t care about innovation per se, they care about the experience. With tribute bands, fans are already intimately familiar with the experience (i.e. songs, personas, and concert presence) and love it, so why not go after a market/product line that already has raging, loyal fans? It’s safe to say that slight to zero product differentiation within a large market is better than extreme differentiation and no market opportunity.
Lesson #2: Tribute bands are able to attract underserved markets – Let’s face it. Putting aside the fact that the original Guns N’ Roses cast is no longer together, an average person would never find Slash, Izzy, Duff, and Axl jamming at a local bar at a price they can afford. But the best tribute bands, like Beatallica, Paradise City, and Lez Zeppelin, are able to simulate the real band experience at a fraction of the cost.
Lez Zeppelin and AC/DShe, which are all-female cover bands, have also drawn incredibly loyal bases among women, many of whom felt alienated by the misogynistic rock culture of the 70s and 80s. In this sense, entrepreneurial theorist Clay Christensen would probably call tribute bands disruptive and not just because of the loud music they play— these bands are meeting the demand of consumers that were underserved by the original bands. And that creates value in a way that your beautifully designed but inaccessible technology never will.
Lesson #3: Good tribute bands care about brand positioning - As Klosterman writes, AC/DShe’s rival band Zepparella tries to cover both AC/DC and Led Zeppelin. Expressing her disagreement with this marketing strategy, a member of AC/DShe points out, “it’s really [expletive] hard when your Angus Young is also Jimmy Page.” This demonstrates extraordinary marketing prowess on AC/DShe’s part. It’s hard to build brand loyalty when it’s unclear what you stand for. Above all, the image of a tribute band is inextricably linked to the band they’re covering. Adding another band to the mix destroys that image.
In a company, if you try to bite off too much, it can kill your brand and turn your company into vanilla (i.e. no one loves it, no one hates it, it’s mediocre at best). While it may seem paradoxical, don’t be afraid to limit your market audience. Your diehard fans will love you for it.
Lesson #4: Play because you love what you do, not for the exit – No successful tribute band would ever say that they’re playing gigs to cash out and retire wealthy. Tribute bands are irrationally obsessed with their craft and the bands they’re covering, so much so that many take on the personas of the original band. As an entrepreneur, you should be well aware of the low odds of success, so you better LOVE what you do and the market you’re playing in.
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So for all those entrepreneurs that live and die by the sword of innovation, I encourage you to consider a healthy dose of imitation coupled with a slightly unhealthy dose of obsession. And for those that are just starting companies, welcome to the jungle…
Footnotes:
1. In our Guns N’ Roses air tribute band, we left out drummer Steve Adler strictly because his name did not sound like a beer or automotive part.
2. Due credit to Chuck Klosterman for his outstanding books Sex, Drugs, and Cocoa Puffs and IV: A Decade of Curious People and Dangerous Ideas. All quotes and stories from the tribute bands are borrowed from these works.
Sombit Mishra is a second-year MBA student at the MIT Sloan School of Management and former Managing Director of the MIT $100K Competition. With 5+ years of startup experience in marketing, strategy, and e-Commerce, Sombit is currently developing a new venture in the fitness & wellness space. Follow Sombit on Twitter at www.twitter.com/sombit.







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